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Project "Rope" (just close the link for the tutorial)


Rope (front view)


Rope (Rear View)


Rope (side view)


Rope (side view)


Rope (Special planetary)


Rope (Special pinion)


Rope black version


Rope yellow version


Animation

Designing a bike is certainly not easy , There are several disciplines that interact synergistically to achieve that product. In fact, the design is a fundamental part, since the customer incentive to buy, but also the mechanical el'antropometria have equal weight in the project, indeed, say that the design in many ways remains a subject of these two subjects, as the shape is due to precise geometric constraints inherent in the bicycle itself. The problem certainly is not confined to resolve these technical solutions, but also to find something fresh and new. The market today is full of bicycle models, a wide variety of styles for every type of bike (racing bike, mountain bike, bike fixed gear, recumbent bike, etc.). Which restricts by far the "planning horizons" or the so-called innovation. The project "Rope" goes some way to fit in the left window of creative light, albeit faint, there is the possibility of "disrupting" an object so-called perfect. An infinite number of viewing sites, leafing a huge amount of magazines and books, I found several projects and emphasizes projects, as were those of a bike with bizarre shapes and free-wheel spokes or better hinged at the periphery of the rim. In my opinion, wonderful ideas but technically unfeasible, and explain it because of the critical geometry were not met, for example, the tilt steering column had anomalous Rake the non-existent or too large, too large and so the trail. But these are details with respect to static problems presented by these projects, such as compression of the rim in relation to radial forces, after a few rides result in a safe "fracture" of the rim, or shear stress that inevitably would lead to a derailment of the wheel and subsequent collapse half of a bad fall or worse for you. And last but not in sequential order of some importance is the fact that the torque is no longer formed by the power company on the pinion for the radius of the rim but on the strength for the radius of the gear transmission, the user would have to pedal like a madman and then go a few inches short, these bikes are "climbing the walls" but they were standing there. That was acceptable for a sketch for a possible implementation but it was inconceivable. These thorny issues I have found solutions are studying the mechanism (which was not so simple), that is, turning the rear fork, a string (geometrically speaking) of the circle which stabilizes and supports the rim, and as for the transmission I adopted a solution technique used helicopters in the area of \u200b\u200bstatistics (I later discovered that a wide use in mechanical field) called planetary gearbox. Obviously everything I needed except to reduce the motion of pedaling, but to multiply. And in fact the engineer on board shaft Allegrini I was able to reverse that allowed me to take a ride with the consideration of a classic city bike without reporting, that is five feet. This complex as the crown gear and pinion are designed Teflon self-lubricating. The use of this material brings an incredible lightness and economy (on a large scale of course), and since not to be underestimated, is that it does not need to be oiled, on the contrary, if they had used aluminum gear this would not have been possible. Based on these technical details of significant magnitude, and with the intention of bringing to light an eye-catching design project I started to draw shapes. The main idea is to build a bike to town without relations, aimed at a younger market with good availability fines, aimed at people of both sexes say wealthy. And then make the mechanics, which is a key component of this project, pleasing to the eye without conflict too much with the design, incorporated and in harmony. The sources of inspiration are certainly in the first place the sketches above, and secondly by the sight of the motorcycle "Motom" Segoni brothers, in fact the My bike frame is inspired by that brilliant and yet simple, allowing the object in question to become extremely light and versatile.

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Project "Empty"





Empty is a collaboration with the firm Sovet of Treviso, a leading furnishing of curved glass.
The project started flipping through the catalog, which showed the lack of this from a design point of view. My proposal was to render the object in question, the cleanest, or better, you can clear all the accessories such as knobs, plates and locks the joints, which in a certain how could be a hindrance to the eye. In fact, the backbone, as you see it is the least intrusive way possible, and is made of wood painted white inside, to give greater prominence to the objects, and black exterior for a touch of elegance to the piece. think the sides are curved glass, straight plates and doors that are hinged at the base and the top in a little invasive. The lock and placed in the top panel not to disturb him who looks close to the lock and there are handles, so that should not be applied to the glass, therefore not impede the view.

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Project Ruojtaba "




The lamp that I intend to propose comes from thinking that set in opposition to the different perceptions that exist between young and old about the years of lead. If he goes to a boy now the big question: "What do you think of the sixties and seventies?" Probably the answer you get will sound similar to something like "so cool." In fact, in the imagination of young people, this term is surrounded by an aura of legend, a mythical aura, linked to the vindication of the rights of women, at a massive and widespread use of drugs (and consequent effects on the perception of reality), the Jimy Hendrix's guitar and the raspy voice of Janis Joplin, free love and so many other flavors of freedom that make it seem like time apparently a wonderful and unique.
not feel the same way the older people, those who at the time they experienced on their own. Time, as the years 60'-70's, when social unrest was increasing, and street demonstrations became moments of pure violence. The protesters preferred instead to make their voices heard screaming, wearing a mask and get a bars, wrenches (the famous "Hazet 36" long 40-45 cm) of incendiary bombs, guns P38. With each new violent piece of news the public, more and more confused and asked "who benefits?".
In this logic of terror and violence, a growing proportion of citizens, not only belonging to the electorate traditionally "conservative", was prepared and resigned to accept a response like "military" from the state, and to justify the enactment of Read more "special". Italian democracy is still fragile and immature, she stepped back and the country is a crucial step in its history, however, necessary for the salvation of a democracy (or its simulacrum?) Attacked from all sides.
However these events, which represent the most important and perhaps more real than those years, they fall terribly at odds with the image that most young people today have of the '60s and '70s: a world made only of sex, drugs and rock n 'roll.
And in this sense I want to object to contrast these two different aspects of reality, these perceptions so far apart.
The idea of \u200b\u200bcreating a lamp was not made at random: a lamp is, in fact, an object that diffuses light, which "puts" in the light. The general form was obtained by the classic stylized lamp shade in the shape of a cone, reversing the shape and rounded edges in accordance to the styles in vogue in those days, typical of designers such as Saarinen, Eames and Castiglioni. The decision to create a form pointing to the lamp shade roversciata because it has a very specific, namely to highlight the fact that the vision that young people today have of that bygone era is nearly opposite to reality: "high" rather than fear, joy instead of terror.
The bottom of the lamp, which also serves as area lighting, is designed polycarbonate. On its surface texture incorporates graphics that recall those years (this is a work of Lichtenstein, which is topped by the background graphics of its time, with the addition of a woman's face brought to the fore, which highlighted the role predominantly of the fairer sex in those days) and generates, at power, a kaleidoscope of colors that is projected on the surrounding environment, clearly the concept that the image of this period is predominantly psychedelic than darker linked to terrorism and social unrest.
The upper part consists of an element in black plastic with holes made along the entire surface, making the effect of holes caused by bullets.
This project, in its ideal sense, would bring out a far more powerful truth about that time: namely that the drug, the "high" and free sex are just part of a much more complex reality, made also of tension Social fear, a campaign of death that affects individuals, groups of honest citizens and the very structures of the state.
The decision to use a plastic matte black (color, this, that our culture is associated with death) that prevents the passage of light from the top of the body (apart from the holes), wishes to emphasize that the appearance of violent those years in which so much talk about the youth of today, is often "obscured", erased, even relegated to secondary consideration. Ultimately
a lamp, in addition to highlighting, also projects the shadows.